The mercurial widescreen sonic cinematic syntax of Biosphere & Egbert Mittelst├Ądt has graced the CineChamber screens for many seasons now after their live milestone residencies in 2007. Their timeless program that remains is a signature memory capsule that introduces RML’s surround canvas in the most spatially sublime sector of the Recombinant archives.


Taking cues from his outpost near the world’s Arctic Circle, this Norwegian musician called Biosphere has sculpted a body of ambient works as iconoclastic as the remote midnight sun. Geir Jenssen has painted his tonal impressions around the natural phenomena of clouds, glaciers, fjords and forests to forge a somnambulant music that also embraces a sine wave wilderness of slow synthetic pulses or hazy orchestral sources.

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